The laying bare of Bruno's hidden nature, along with the great set pieces (head-turning tennis match, disintegrating carousel) and suspense as only Hitchcock can deliver, makes for a first-class trip. Actually, it's doubly fascinating. As Bruno dies, his fingers unclench to reveal Guy's lighter in his hand. Bruno Antony thinks he has the perfect plot to rid himself of his hated father, and when he meets tennis player Guy Haines on a train he thinks he's found the partner he needs to pull it off. been all wrong -- too sturdy, too put off by Bruno (despite the way Holden Buy it! The film was later made available on Blu-ray in 2012 with the same contents as the 2004 DVD edition. Ormonde hunkered down with Hitchcock's associate producer Barbara Keondisparagingly called "Hitchcock's factotum" by Chandler[19]and Alma Reville, Hitchcock's wife. Anne's sister Barbara says that the police will think that Guy is the murderer since he has a motive. Variety praised it, writing: "Performance-wise, the cast comes through strongly. American Film Institute listed the film as #32 in AFI's 100 Years100 Thrills. a divorce from his cheating wife, Miriam (Kasey Rogers), in order to marry Anne On the train, he is recognized by Bruno Antony ( Robert Walker ), an overly friendly man who talks Guy into having lunch with him in his private cabin. It's not just a ripping-good thriller but a film student's delight and a perversely enjoyable battle of wits between tennis pro Guy (Farley Granger) and his mysterious, sycophantic admirer, Bruno (Robert Walker), who proposes a "criss-cross" scheme of traded murders. compartment, Bruno reveals that he wants his father dead, and suggests a "Shadow of a Doubt"), and its appeal is probably the linking of an Strangers On A Train is about two men, Guy Haines and Bruno Anthony, who meet on a train by accidentally knocking shoes. Interesting premise but really poor pacing, Reviewed in the United States on January 5, 2023. Add on for my new cinema room setup. # staring # stalker # alfred hitchcock # strangers on a train # tennis match. [6] In 2012, The Guardian praised the film writing "Hitchcock's study of the guilt that taints the human condition is just one cinematic masterstroke after another". Closed-captioned, NTSC, Full Screen, Black & White. Guy humors Bruno by pretending to find his idea amusing, but is so eager to get away from Bruno that he leaves behind his engraved cigarette lighter. He always used the convention that the left side of the screen is for evil and/or weaker characters, while the right is for characters who are either good or temporarily dominant. So much occurs in pairs. [12], Hitchcock then tried Raymond Chandler, who had earned an Oscar nomination for his first screenplay, Double Indemnity, in collaboration with Billy Wilder. One could study it forever. After appearances in his 2 best British films, "The 39 Steps" (1935) and "The Lady Vanishes" (1938) , the train was elevated to star billing along with the 2 male leads in "Strangers on a Train" (1951).Not only does the train move its passengers around, it is the location where one's diabolical "you do my murder, I"ll do yours" plot is hatched and used to seduce the other. [19], Even while the torturous writing stage was plodding its course, the director's excitement about the project was boundless. "[45] Bruno embodies Guy's dark desire to kill Miriam, a "real-life incarnation of Guy's wish-fulfillment fantasy".[45]. "Hitchcock told me that this scene was the most personally frightening moment for him in any of his films", writes biographer Charlotte Chandler. Next shot. The psychopath suggests that because they each want to "get rid" of someone, they should "exchange" murders, and that way neither will be caught. bargain. are swiveling back and forth to follow the game -- except for one head, He The laying bare of Bruno's hidden nature, along with the great set pieces (head-turning tennis match, disintegrating carousel) and suspense as only Hitchcock can deliver, makes for a first-class trip. His best performance and best casting. Dreadful business. But "[21] The more the film resolved in his mind's eye, the more he knew his director of photography would play a critical role in the scenes' execution. From its cleverly choreographed opening sequence to its heart-stopping climax on a rampant carousel, this 1951 Hitchcock classic readily earns its reputation as one of the director's finest examples of timeless cinematic suspense. The premise is fascinating because it was far more intricate than I had been led to believe. [57] All the major elements of the scene the two men struggling, the accidentally shot attendant, the out-of-control merry-go-round, the crawling under the moving merry-go-round to disable it are present in Crispin's account,[58] though he received no screen credit for it. be accused of a crime he did not commit. In Alfred Hitchcock's suspense classic, "Strangers On a Train", a naive and weary tennis pro unwisely allows himself to be enticed into the confidence of a seemingly silly stranger. Buy it! That evening, Bruno follows Miriam to an amusement park and strangles her while Guy is on the train to Washington. [46], Hitchcock carries the theme into his editing, crosscutting between Guy and Bruno with words and gestures: one asks the time and the other, miles away, looks at his watch; one says in anger "I could strangle her!" Robert Walker is uncanny. [69] According to biographer Charlotte Chandler (Lyn Erhard), Hitchcock himself did not like either the "British" or the "American" version: Hitchcock told [Chandler] that the picture should have ended with Guy at the amusement park after he has been cleared of murdering his wife. "[23], Burks considered his fourteen years with Hitchcock the best of his career: "You never have any trouble with him as long as you know your job and do it. used to finish his final film, "My Son John.") Screenshots. Unreliable citations may be challenged or deleted. Each will murder a stranger, with no apparent motive, so neither will be suspected. "[18]always a plus with Hitchcock. stunt man could have been killed; Hitchcock said he would never take such a has even been reported in the movie's lore (all the attention goes to Great transfer, great black and white contrast. Bruno's, which is looking straight ahead at Guy. Yet both men, like so many of Hitchcock's protagonists, are insecure and uncertain of their identity. Strangers On A Train, a masterpiece, presented here in a finely produced HD release. Bruno's father, and neither would ever be suspected. Beyond all the historical footnotes and film-buff fascination. Guy meets with Miriam, who is pregnant by someone else, at her workplace in Metcalf, their hometown. [22] "Low-keyed, mild mannered", Burks was "a versatile risk-taker with a penchant for moody atmosphere. quite aware of Bruno's orientation, and indeed edited separate American and where Guy scans the crowd at a tennis match and observes that all of the heads [21] The scripting team added the tennis match and the crosscutting with Bruno's storm drain travails in Metcalf added the cigarette lighter, the Tunnel of Love, Miriam's eyeglasses; in fact, the amusement park is only a brief setting in the novel.[21]. A psychopath forces a tennis star to comply with his theory that two strangers can get away with murder. man becomes the obvious suspect in the strangulation of his wife. Perhaps there will be those in the audience who will likewise be terrified by the villain's darkly menacing warnings and by Mr. Hitchcock's sleekly melodramatic tricks. [4] Hitchcock said that he originally wanted William Holden for the Guy Haines role,[5][6] but Holden declined. Hitchcock had written exacting specifications for an amusement park, which was constructed on the ranch of director Rowland Lee in Chatsworth, California. But Miriam does not want the divorce, and instead plans to live off Haines's money. At first glance, Guy represents the ordered life where people stick to rules, while Bruno comes from the world of chaos,[49] where they get thrown out of multiple colleges for drinking and gambling. [13] Treatment writer Cook used Guy to make the film "a parable quietly defiant of the Cold War hysteria sweeping America. [18], There was not much time though less than three weeks until location shooting was scheduled to start in the East. (original music by) Cinematography by Robert Burks . Mysterious Bruno (Robert Walker) hates his father. It proceeds, as Hitchcock's films Strangers on a Train (1951) - Turner Classic Movies Strangers on a Train Brief Synopsis A man's joking suggestion that he and a chance acquaintance trade murders turns deadly. Hitchcock himself designed Bruno's lobster necktie, revealed in a close-up to have strangling lobster claws,[26] and "he personally selected an orange peel, a chewing-gum wrapper, wet leaves, and a bit of crumpled paper that were used for sewer debris"[22] in the scene where Bruno inadvertently drops Guy's lighter down the storm drain. Guy, then, in a sense connives at the murder of his wife, and the enigmatic link between him and Bruno becomes clear.[51]. Amateur tennis star Guy Haines wants to divorce his promiscuous wife Miriam so he can marry Anne Morton, the daughter of a US Senator. Patricia Hitchcock and Kasey Rogers look a little alike and wear very With an emphasis on narrative and visual strategy, Hitchcock controls the escalating tension with a master's flair for cinematic design, and the plot (coscripted by Raymond Chandler) is so tightly constructed that you'll be white-knuckled even after multiple viewings. It looks like WhatsApp is not installed on your phone. Certainly the casting of Farley Granger as Guy and Robert Walker as Bruno But, for all that, his basic premise of fear fired by menace is so thin and so utterly unconvincing that the story just does not stand. The final scene of the so-called "American" version of this movie had Barbara and Anne Morton waiting for Guy to call on the telephone. One of my top 50 movies, never seen on a big screen. allowed an aging actress to manipulate him in "Sunset Boulevard"). Guy The story concerns two strangers who meet on a train, a young tennis player and a charming psychopath. He wanted the last line of the film to be Guy describing Bruno as "a very clever fellow". "You're a free man now", he says, just as a police car drives up, looking for the husband of a certain recent murder victim. # travel # kit harington # modern love # big day # train travel. There's also the breathtaking runaway merry-go-round ride in the finale, where the operator is shot and the ride keeps going as frantic parents scream and the children hold onto the horses for dear . "[46] It undergirds the whole film because it finally serves to associate the world of light, order, and vitality with the world of darkness, chaos, lunacy and death. # travel # amazing # kit harington # you are amazing # youre amazing. Better still, the two-sided DVD edition of this enduring classic includes both the original version of the film and also the longer prerelease British print, which offers a more overt depiction of Bruno's flamboyant and dangerous personality, and his homoerotic attraction to Guy by way of his deviously indecent proposal. Talented Mr. Ripley," made into a 1999 movie in which her criminal hero (The same technique was used It was shot in the autumn of 1950 and released by Warner Bros. on June 30, 1951, starring Farley Granger, Ruth Roman, and Robert Walker. The theme of doubles is "the key element in the film's structure,"[46] and Hitchcock starts right off in his title sequence making this point: there are two taxicabs, two redcaps, two pairs of feet, two sets of train rails that cross twice. Did Hitchcock intend for Bruno to be attracted to Guy? "When Bruno openly suggests he would like to kill his wife, he merely grins and says 'That's a morbid thought,' but we sense the tension that underlies it. manner is pushy and insinuating, with homoerotic undertones. What is the climax in Strangers on a Train? Later in life, while still praising Robert Walker's performance as Bruno, she criticized the casting of Ruth Roman as Anne, Hitchcock's decision to turn Guy from an architect into a tennis player, and the fact that Guy does not murder Bruno's father as he does in the novel. Off-handedly, he suggests to Guy that they trade murders: Bruno will kill Guy's troublesome wife, and Guy will eliminate Bruno's despised father. Where was the tennis match in Strangers on a Train? Bruno does murder Guy's wife, and then demands that Guy keep his half of the "I have always given it careful consideration, so that my characters never eat out of character. The 1987 film Throw Momma from the Train by Danny DeVito was inspired by Strangers on a Train, which is also watched by DeVito's character in the film.[71][72]. famous sequences in "Strangers on a Train." 1996-2023, Amazon.com, Inc. or its affiliates, No Import Fees Deposit & $10.33 Shipping to France. Poor unfortunate girl. The director told Ormonde to forget all about the book, then told her the story of the film himself, from beginning to end. I suspect the things we might see so plainly now - the homosexual longing in Bruno, the wicked contrast of the man of action and the man of ideas, the superficiality of Guy and the hungry depth . First Hitchcock got the exterior shots in Canoga Park, using both actors, then later he had Elliott alone report to a soundstage where there was a large concave reflector set on the floor. "[30] The first six takes went badlyElliott thudded to the floor with several feet yet to go[23]but on the seventh take, she floated smoothly all the way. Great transfer, great black and white contrast. Psychotic mother's boy Bruno Anthony meets famous tennis professional Guy Haines on a train. It is those flaws that set up the real themes of Strangers. [46], This doubling has some precedent in the novel; but more of it was deliberately added by Hitchcock, "dictated in rapid and inspired profusion to Czenzi Ormonde and Barbara Keon during the last days of script preparation. Diabolique, intriguing, morally ambiguous and wonderfully directed and narrated. helps explain how Bruno could come so close to carrying out his plan. Sometime later, another stranger on a train attempts to strike up conversation with Guy in the same way as had Bruno. A film of noir moments galore. They would both have airtight alibis for the time of the crime, and Critic Jack Sullivan had kinder words for Tiomkin's score for Strangers than did biographer Spoto: "[S]o seamlessly and inevitably does it fit the picture's design that it seems like an element of Hitchcock's storyboards", he writes. The film initially received mixed reviews but has since been regarded much more favorably. conversation -- which ends on an ambiguous note, with Bruno trying to get Guy The He's endearing and menacing, intimate and unknowable. Granger station with a note asking the sergeant to lock him up until called for. the Forest Hills tennis club. His best performance and best casting. My mum had said this was a great film, and she was right. is crucial. The website's consensus reads, "A provocative premise and inventive set design lights the way for Hitchcock diabolically entertaining masterpiece. with any force or conviction. Fast, exciting, and woven with wicked style, this is one of Hitchcock's most efficient and ruthlessly delicious thrillers. He called the meetings "god-awful jabber sessions which seem to be an inevitable although painful part of the picture business. the wall make it appear Bruno has overtaken them. spotted Highsmith in a cameo in the film. Guy and Anne coldly walk away from him. Strangers on a Train previewed on March 5, 1951 at the Huntington Park Theatre, with Alma, Jack Warner, Whitfield Cook and Barbara Keon in the Hitchcock party[26] and it won a prize from the Screen Directors Guild. The police question Guy, but cannot confirm his alibi: a professor Guy met on the train was so drunk that he cannot remember their encounter. On this Wikipedia the language links are at the top of the page across from the article title. probably find at the top. Strangers on a Train Preview Version (SD; 1:42:57). A psychopath forces a tennis star to comply with his theory that two strangers can get away with murder. Walker's role has extreme color, and he projects it deftly. Highsmith was a chameleon, a renegade, an experimenter, a loner, and a fantastically brave innovator. "[I]n one of the most unexpected, most aesthetically justified moments in film,"[29] the slow, almost graceful, murder is shown as a reflection in the victim's eyeglasses, which have been jarred loose from her head and dropped to the ground. [7] For six days, they shot at Penn Station in New York City, at the railroad station at Danbury, Connecticutwhich became Guy's hometown Metcalfand in spots around Washington, D.C.[7]. Although Bruno dreams up a crazy scheme whereby he and Guy exchange murders. Burks was an exceptionally apt choice for what would prove to be Hitchcock's most Germanic film in years: the compositions dense, the lighting almost surreal, the optical effects demanding. "[53] Bruno tells Guy what he has done and gives him the glasses. It was Hitchcock, not Tiomkin, whose idea brought the four evocative numbers[8] "The Band Played On", "Carolina in the Morning", "Oh, You Beautiful Doll", and "Baby Face" to the soundtrack: In one of Hitchcock's most explicit operatic gestures, the characters at the fateful carnival sing the score, giving it full dimension as part of the drama. Built on the cummins singapore email address, Animal Adventure Little Luxuries Premium 38 Jumbo Plush Dino. Interesting more as an "intellectual exercise" than anything else, but indispensable for those interested in seeing how Hitchcock continued to shape his films after an initial cut. in Hitchcock's "Foreign Correspondent," where all the windmills Brilliant. "[47], Guy and Bruno are in some ways doubles, but in many more ways, they are opposites. Senator Morton: She was a human being. Reviewed in the United States on November 28, 2022. [12], Securing the rights to the novel was the least of the hurdles Hitchcock would have to vault to get the property from printed page to screen. Hitchcock insists on perfection. Alfred Hitchcock's cameo appearance occurs 11 minutes into the film. One studio press release gave rise to a myth that still lingers on today. Bruno mentions Guy's missing cigarette lighter to Anne and claims that Guy asked him to search the murder site for it. Now look at how Alfred Hitchcock reinforces the duality of human nature. "[22] While Guy and Bruno fight, the ride runs out of control until it tears itself to pieces, flinging wooden horses into the crowd of screaming mothers and squealing children. chance again.) "[65], Patricia Highsmith's opinion of the film varied over time. Barbara tells Anne that Bruno was looking at her while strangling the other woman, and Anne realizes Barbara's resemblance to Miriam. face, and Guy stands to his right, outside the gate. Her suspicions aroused, Anne confronts Guy, who tells her the truth about Bruno's scheme. This audiobook version of the classic Hitchcock film is an excellent hour of suspense, tension - and murder! the references to his private life, but inexplicably doesn't break off the Highsmith DVD Features: . [44] Hitchcock made personal appearances in most of them, and was often accompanied by his daughter. always used the convention that the left side of the screen is for evil and/or blurting out what everyone is afraid to say. "He had to have one person in each film he could harass," Granger said. No matter how well a football team plays, the match has a fixed temporality. With an emphasis on narrative and visual strategy, Hitchcock controls the escalating tension with a master's flair for cinematic design, and the plot (coscripted by Raymond Chandler) is so tightly constructed that you'll be white-knuckled even after multiple viewings. [42] Hitchcock and Patricia both were afraid of heights, and father offered daughter a hundred dollars to ride the Ferris wheel only to order the power cut, leaving her in the dark at the very top of the ride. The camera was on one side of the reflector, Elliott was on the other, and Hitchcock directed Elliott to turn her back to the reflector and "float backwards, all the way to the floor like you were doing the limbo. In accordance with the cautious censorship guidelines of the period, Hitchcock would later tame these elements of Walker's memorable performance by trimming and altering certain scenes, so the differences between the original and prerelease versions provide an illuminating illustration of censorship's effect on the story's thematic intensity. [24] Exteriors would be shot on both coasts, and interiors on Warner Brothers' soundstages. (SD; 7:22) focuses on Kasey Rogers, who performed under the name Laura Elliot in the film; Strangers on a Train: An Appreciation by M. Night Shyamalan (SD; 12:46) has the director espousing his love for Hitch and the film; The Hitchcocks on Hitch (SD; 11:20) features Hitch's daughter and granddaughter talking about Hitch. sexual tension -- that makes the movie intriguing and halfway plausible, and If you haven't seen it, it's time to change that! The first encounter between Bruno and Guy on the train is longer, and features a more obvious homoerotic flirtation by Bruno; In the scene where Guy sneaks out of his apartment to go to Bruno's house, a shot of him opening a drawer to get the map Bruno sketched is added; The very last scene in the US version, which involves a clergyman, was deleted. "[13] In the novel, Guy is pursued and entrapped by a tenacious detective.[17]. Email address, Animal Adventure Little Luxuries Premium 38 Jumbo Plush Dino a big screen his father been regarded more! 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'S resemblance to Miriam Blu-ray in 2012 with the same contents as the 2004 DVD edition dies, fingers. # stalker # alfred Hitchcock # strangers on a big screen had Bruno gave to. 1996-2023, Amazon.com, Inc. or its affiliates, no Import Fees Deposit & $ 10.33 Shipping France., There was not much time though less than three weeks until location shooting was scheduled to in! Bruno dies, his fingers unclench to reveal Guy 's lighter in his hand film is an hour... Everyone is afraid to say clever fellow '' Cook used Guy to make the film initially received mixed but... It appear Bruno has overtaken them no matter how well a football team plays, the director 's excitement the... Experimenter, a masterpiece, presented here in a finely produced HD release, intriguing, morally ambiguous and directed. Walker 's role has extreme color, and woven with wicked style, this is one of Hitchcock 's appearance! 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